Rated 4. Just in case you missed it. Download Okudagrams. Click here to view the list. Do you have a font that we don't? Upload it now! Thank you to everybody who uploaded. It takes just seconds to register and elimates those pesky verification images. As a bonus you can now search for fonts using your voice, just click the microphone button next to the search box and start speaking and searching.
Click here for the complete list. Thank you to everybody who uploaded new fonts using the upload page. Have you got fonts you would like to see on BigFontSite? Aqlaam is an Arabic typeface with rounded letterforms.
It is mainly designed for public advertising and publication and it comes in 6 different weights; thin, light, regular, medium, bold and outlined bold. Stroke contrast is low, but there is still some modulation at junctures, keeping typographic color from getting too dark. A multilingual type family that features a modern Arabic Naskh with very short descenders and ascenders, which matches with a full-caps Latin counterpart.
Molsaq is an Arabic script font perfect for setting applications that require tight leading, such as posters, hence the name, which means poster in Arabic. With glyphs, Molsaq Pro supports Arabic, Farsi, Urdu, and Kurdish, it also supports more than 60 languages that use the Latin script.
Molsaq Pro comes with many Opentype features such as stylistic alternates, ligatures, swashes, and small caps. Molsaq Latin includes all the Opentype features and the full languages support, except for the Arabic script.
Diodrum Arabic is a low-contrast Naskh family with six weights. Arabic typically places a stronger emphasis on the horizontal than the Latin script does. Find these great calligraphy fonts online. It is a Bold headline font, in 1 weight. This font is a contribution to the modernization of Arabic typography , gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. Oustad Arabic supports Arabic, Persian, and Urdu.
The design is an evolution of Arabic calligraphic designs that combines Naskh and Nastaliq to form a backward slanted calligraphic style. The character proportions refer to Naskh traditions but the isolated and final forms bring with them an exaggerated swash-like movement that references the extravagant ascenders and descenders of Zapfino.
The font contains a large number of contextual variants that work to create a smooth flow of pen movement, as well as 10 stylistic sets. The character set supports the Arabic language as well as basic Latin. Zapfino Arabic is meant to be used as a display typeface, for logos, greeting cards, and short headlines. It could also work for short pieces of text, for poetry or chapter introductions, when used in a generous type size and with ample space around it. Its design is soft and elegant and leaves a lot of room for typographic playfulness.
Nuyork Arabic was designed to emphasize the individual Arabic letter visual traditional characteristics. Including 5 weights, it was designed with both text and display applications in mind.
This font is intended to produce virtually cursive texts without eliminating the clarity or look-and-feel of the individual Arabic letters. Offering glyphs for the full Extended Arabic Unicode Standards 6.
Careful design considerations were given to make sure that composed Arabetic text is visually prominent and stands well next to Latin. To ensure legibility in all sizes, vertical strokes are emphasized when possible, while utilizing multiple x-heights to give a traditional Arabian look. For the first time -back in a contemporary Arabic equivalent to a comprehensive DIN series of fonts was available. In fact, this set of fonts contains the most complete and powerful array of Arabic features commercially today.
It comes in eight weights and includes Latin. It is also enhanced with 30 advanced OpenType features and kerning for all languages. NaNa Arabic is a new creation of Naghi Naghashian. This innovation is a contribution to the modern Arabic fonts, giving the font design of Arabic letters real typographic arrangement and providing greater typographic flexibility.
This step was necessary after more than two hundred years of relative stagnation in Arabic writing style. It also includes proportional and tabular numerals for the supported languages.
The design of this font family is inspired by two classic scripts: Kufic and Naskh. It comes in 5 different weights ranging from Light to Heavy which extends its usage capabilities considerably. The design is mono-linear and with the typical geometric construction associated with the Kufi style.
Its usage can vary from headlines to logos to packaging. Given its large counters, it can function quite well in very small sizes too. Its pattern is quite homogenous, so it is not recommended to use this for whole paragraphs.
The character set supports Arabic, Persian, and Urdu and also includes Basic Latin letters font styles. The motivation behind the typeface was to create a neutral and carefully crafted Arab fonts family that can be used on many different applications.
Swissra also aspires to tribute the experience of Swiss graphic design and pass it on to the Arabic graphic design scene. Swissra features sharply cut terminals, which are either horizontal or vertical. It also features closed apertures and a high x-height. It comes with eight weights, that range from thin to black and makes an excellent Arabic fonts download.
Following the great success of Swissra, the condensed Arabian style font cut was designed on the same principles of Swiss graphic design. Originally Swissra was designed to create a neutral and carefully crafted Arabic font family that can be used on many different applications. Now it creates even more possibilities to help designers in applications such as signage and editorial design where the condensed cut is needed.
The typeface is one of very few Arabic condensed typefaces. Swissra Condensed comes in eight weights which range from Ultralight to Black. Easter Vintage Invitation. Iron Gate Tag. Iron Gate Reply Card A2. Iron Gate Invitation SQ. Folksy Love Birds Invitation A7. Amber Reply Card A2. Amber Invitation A7. Ornate Vintage Reply Card A2.
Ornate Vintage Invitation A7. Glam Gold Invitation A7. Brushed Gold Invitation A7. Spring Branch Invitation A7. Watercolor Flowers Invitation A7.
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